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Sneak Peek: Encountering the Orient

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José Tapiró Baró (Spanish, 1830-1913)
A Tangerian Beauty
Watercolor, 26 X 18½ in.


In 2007, when the Dahesh Museum of Art lost the lease on its Madison Avenue exhibition space, not only did New York City lose out;  we all did.  Since its opening in 1995, the museum had been a public champion of academic art, and its unique assembly of works, exhibitions, and self-generated publications were a boon to the modern realist art movement.  And when the doors to the Dahesh closed, there was a genuine fear among fans of the museum that it would not return.

But rather than allowing its voice to be silenced, the museum embraced its new status as "a museum without walls," by bringing its collection to new venues across the nation, and around the world. It's mission; "to provide the public with a fresh look at European academic art of the 19th and early 20th centuries, and to assess the impact of the academic tradition—training, style, subject matter, and ideals—on the world of art;" was now reaching new audiences who might not have had the opportunity to visit the collection in New York City. Though it would be preferable that, after half-a decade without a home, the Dahesh could establish a new, permanent showplace, it is encouraging to know that its message – that academic art should be appreciated, and not marginalized – has continued.

The Dahesh Museum of Art's latest exhibition, "Encountering the Orient," will present 30 major Orientalist works from the museum's permanent collection, as well as offer several related educational programs to the public.  The show has been formed through a partnership with Christie's Auction House, which will host the event at its New York City location.  It is an opportunity for both institutions to come together and offer a scholarly presentation on the 19th century fascination of European and American artists with the exotic East.

"Encountering the Orient:  Masterworks from the Dahesh Museum of Art" opens March 27, and runs through April 15, 2013 at Christie's Special Exhibition Gallery, 20 Rockefeller Plaza, New York, NY.  The show is open Monday through Friday, 10:00 am - 5:00 pm, and from 1:00 pm to 5:00 pm on Sunday.  The exhibition is free, and open to the public.


Jean Lecomte du Nouÿ (French, 1842-1923)
Judith (1875)
oil on panel, 12⅝ X 8⅜ in.

François-Léon Benouville (French, 1821-1859)
Portrait of Leconte de Floris in an Egyptian Army Uniform (1840)
oil on canvas, 52¾ X 35½ in.

Rudolf Ernst (Austrian, 1854-1932)
The Letter (1888)
oil on panel, 25¾ X 21 in.

Isidore Pils (French, 1813-1875)
Seated Arab (ca. 1861-62)
oil on canvas, 10¾ X 10¼ in.

Frederick Arthur Bridgman (American, 1847-1928)
Cleopatra on the Terrace of Philae (1896)
oil on canvas, 29⅞ X 46⅛ in.

Joseph Farquharson (Scottish, 1846-1935)
The Ruins of the Temple at Luxor (ca. 1890)
oil on canvas, 24 X 36½ in.

Gustav Bauernfeind (German, 1848-1904)
Jaffa, Recruiting of Turkish Soldiers in Palestine (1888)
oil on canvas, 58½ X 110¼ in.




Article on Gustave Jean Jacquet

Auction Preview: Heritage Illustration Art Auction April, 2013

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J.C. Leyendecker (American, 1874-1951)
Honeymoon, 1926
28¼ X 21¼ in., oil on canvas


The upcoming sale of illustration art at Heritage Auctions, Beverly Hills, is neither as large nor as exciting as some of their more recent auctions in the same category, but that does not mean it is without some fine images to peruse online, or perhaps even purchase.  The auction house's anchor artists - Rockwell, Cornwell, and Elvgren -are all represented, albeit each with fewer pieces than usual.  But the standout piece in this sale is J.C. Leyendecker's Honeymoon (pictured above), which has already been receiving a lot of attention from internet bidders.

Heritage's Beverly Hills Signature Illustration Art Auction #5126 will take place on April 11th and 12th, 2013.  Full previews are being offered from the 9th through the 11th at Heritage Auctions salesroom, 8478 West Olympic Boulevard, Beverly Hills, California.  All of the lots, with Heritage's customary large-sized image files can also be viewed online at the house's website.


Norman Rockwell (American, 1894-1978)
Man with Rod and Reel (study), 1940
10 X 14½ in., oil on board

Rolf Armstrong (American, 1889-1960)
Twinkle Toes, 1947
40 X 29 in., pastel on Masonite


William Medcalf (American)
Bow and Arrow
40 X 30 in., oil on Masonite

Gil Elvgren (American, 1914-1980)
A Near Miss (Right on Target), 1964
30 X 24 in. oil on canvas

Gil Elvgren (American, 1914-1980)
"Let's Go Around Together", 1948
29 X 24 in., oil on canvas

Gil Elvgren (American, 1914-1980)
Strictly Off the Record
18½ X 30 in., oil on board

John Conrad Berkey (American, 1932-2008)
Ship from Down Under
15 X 19 in., acrylic and casein on board

Rudolph Belarski (American, 1900-1983)
Gott mit uns!, Wings- Fighting Aces of War Skies, 1934
30 X 21 in., oil on canvas

Jo Kotula (American, 1910-1998)
Curtis Helldiver, 1954
19¾ X 13¼ in., gouache and tempera on board

Frank McCarthy (American, 1924-2002)
The Dirty Dozen, 1967
27½ X 37½ in., oil on board

August Bleser Jr. (American, 1898-1966)
A Reflective Moment, 1936
30 X 47 in., oil on canvas

Dean Cornwell (American, 1892-1960)
The Desert Healer, 1922
36 X 30 in., oil on canvas

James Avati (American, 1912-2005)
Intoxicated Woman (Argosy pulp magazine illustration)
17½ X 25 in., oil on board

Earl Moran (American, 1893-1984)
Red Headed Beauty
20 X 37 in., oil on canvas

Edmund Franklin Ward (American, 1892-1991)
A Man and His Shadow, 1921
24 X 23½ in., oil on board

Pruett Alexander Carter (American, 1891-1955)
Visiting Her Horse
34½ X 39½ in., oil on canvas

Harvey T. Dunn (American, 1884-1952)
Lincoln Surveying the Landscape, 1929
30 X 81 in., oil on canvas

Violet Oakley (American, 1874-1961)
Back View (mural study)
24 X 21½ in., pastel on canvas board

Victor Coleman Anderson (American, 1882-1937)
The Circus Pageant
30 X 40 in., oil on canvas

Gerald Brom (American, b. 1965)
Legacy of the Drow, 2001
21½ X 35½ in, acrylic and oil on board

Walter Beach Humphrey (American, 1892-1966)
Reflection, 1929
36 X 24 in., oil on canvas


Sneak Peek: The Figure in American Art 16th Annual Exhibition

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Glenn Harrington  -  "Feathered Headdress"  -  oil on linen on panel  -  12 X 9 in.


Currently on view at the Eleanor Ettinger Gallery in New York City is the 16th Annual Exhibition of The Figure in American Art.  Featured in this exhibit are over three-dozen representational artworks depicting the human figure as interpreted by 16 of the gallery's roster of artists.  The show runs until April 20th.

Founded in 1975, Eleanor Ettinger Gallery has two spaces in New York City.  This particular exhibit is showing at the gallery's 57th Street location.  For more information, please visit the gallery's website, or telephone them at 212.925.7474.


Adam Vinson  -  "El Pintor"  -  oil on panel  -  10¾ X 8 in.

Adam Vinson  -  "Muffet"  -  oil on panel  -  18 X 14 in.

Adam Vinson  -  "Pulled Over"  -  oil on panel  -  8½ X 5 in.

Adam Vinson  -  "Most Likely to Secede"  -  oil on panel  -  7 X 5 in.

Steve Huston  -  "Duncan"  -  oil on panel  -  14 X 20 in.

Steve Huston  -  "Mark Antony"  -  oil on panel  -  24 X 36 in.

Steve Huston  -  "Malcolm:  War"  -  oil on panel  -  49 X 73 in.

Michael De Brito  -  "Hurt Boy"  -  oil on canvas  -  25 X 17 in.

Michael De Brito  -  "Hurt Boy II"  -  oil on canvas  -  18 X 14 in.

Michael De Brito  -  "Hurt Boy III"  -  oil on canvas  -  43 X 29 in.

Michael De Brito  -  "Sausage Maker III"  -  oil on canvas  -  82 X 59 in.

Hunter Eddy  -  "Morning Ritual"  -  oil on canvas  -  31½ X 23½ in.

Paul G. Oxborough  -  "At the Warwick Hotel"  -  oil on linen  -  20 X 28 in.

Paul G. Oxborough  -  "Bartender at the King Cole Bar"  -  oil on linen  -  20 X 26 in.

Gregg Kreutz  -  "Art Class"  -  oil on linen  -  30 X 40 in.

Gregg Kreutz  -  "Backstage"  -  oil on linen  -  30 X 37 in.

Gregg Kreutz  -  "In the Wings"  -  oil on linen  -  40 X 30 in.

Gabriela Gonzalez Dellosso  -  "Medusa Self-Portrait"  -  oil on panel  -  11¾ X 11¾ in.

Gabriela Gonzalez Dellosso  -  "Homage to Amrita Sher-Gil"  -  oil on linen  -  8 X 6 in.

Gregory Calibey -  "Femme Bleu" - oil on linen -  20 X 16 in.

Gregory Calibey  -  "Pink Vase"  - oil on panel  -  24 X 16 in.

Daniel E. Greene  -  "Telephone Bid III - Winslow Homer"  -  pastel on wood  -  24 X 18 in.

Daniel E. Greene  -  "Avi - 18th Street"  -  oil on board  -  30 X 25 in.

Daniel E. Greene  -  "Percy - 68th Street"  -  oil on linen  -  30 X 24 in.

Richard Piloco  -  "Balance"  -  oil on linen  -  58 X 36 in.

Richard Piloco  -  "Redhead Resting"  -  oil on linen on panel  -  15 X 20 in.

Richard Piloco  -  "Under the Blanket"  -  oil online on panel  -  8¾ X 12½ in.

Nicholas Raynolds  -  "Outline;  The Invention of Drawing"  -  oil on linen  -  24 X 18 in.

Daniel Graves  -  "Survivor of Abstract Art" - Self-Portrait  -  oil on linen  -  31½ X 23¾ in.

Justin Taylor  -  "Reign"  -  oil on panel  -  20½ X 10 in.

Justin Taylor  -  "In These Times"  -  oil on panel  -  20 X 21 in.

Glenn Harrington  -  "Reverie"  -  oil on linen on panel  -  24 X 30 in.

Glenn Harrington  -  "Red Schale Pool"  -  oil on linen on panel  -  16 X 20 in.

Glenn Harrington  -  "Rocks"  -  oil on linen on panel  - 20 X 30 in.

Glenn Harrington  -  "Tinicum Field"  -  oil on linen on panel  -  24 X 20 in.

Janice Urnstein-Weissman  -  "La Rouge Femme"  -  oil on linen  -  29½ X 51 in.

Sneak Peak: Malcolm Liepke at Arcadia Gallery

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Gold in Her Hair, 2013
52 X 38 in., oil on canvas

Currently ongoing at Arcadia Gallery in New York City is a new show featuring over 30 recently-created works by perennial favorite, Malcolm T. Liepke.  After a disappointing introduction to art education at the Art Center College of Design in Pasadena during the 1970s, Minnesota-native "Skip" Liepke turned to the works of Velázquez and Sargent to find the methods and inspiration to create the types of painting he admired - works which were then very much out of favor.  His emotional and narrative figure work soon found a home in illustration, however, but, despite his high-profile commissions and his many awards, he was never satisfied being part of that field;  the constant need for comprising with art directors was far too limiting to his art.  In the 1980s, Liepke left illustration to pursue a fine art career, and there, at the beginning of the revival of representational art, his paintings became highly sought after.  Since his first solo exhibit in 1986, Liepke has enjoyed twenty-seven years of completely sold-out shows, and this current exhibit, "Unveiled," is right on track to continue that impressive statistic.

Arcadia Gallery SoHo is located at 51 Greene Street, between Grand and Broome. It is open from 10am to 6pm Monday through Friday, and from 11am until 6pm weekends. "Unveiled," a series of new works by Malcolm T. Liepke, is on view now, and runs through April 18th.

In honor of Liepke's current exhibition, Arcadia Gallery is offering their 300-page book, Malcolm T. Liepke:  A Retrospective, at a 50% discount.  This sale price is only being offered for the duration of Leipke's show.  For more information, and to place an order, please contact the gallery at 212.965.1387.



Flowers in Her Hair, 2013
9 X 9 in., oil on canvas

Green Dress, 2013
50 X 50 in., oil on canvas

Man Reclining, 2013
42 X 56 in., oil on canvas

Boy with Cigarette, 2013
8 X 10 in., oil on canvas

Boy with Flower, 2013
12 X 8 in., oil on canvas

Man with Tattoo, 2013
12 X 9 in., oil on canvas


Reflective, 2013
16 X 12 in., oil on canvas

Pulling Off His Shirt, 2013
24 X 18 in., oil on canvas

Man's Hips, 2013
43 X 34 in., oil on canvas

Man's Back, 2013
30 X 22 in., oil on canvas

Nude Torso, 2013
38 X 32 in., oil on canvas

Pink Lingerie, 2013
10 X 9 in., oil on canvas

Woman's Hips, 2013
20 X 16 in., oil on canvas

Covering Up, 2013
12 X 10 in., oil on canvas

Hand Between Legs, 2013
!8 X 18 in., oil on canvas

Woman Looking Back, 2013
30 X 20 in., oil on canvas

Pearls and Earrings, 2013
12 X 12 in., oil on canvas

Black Lace and Jewels, 2013
16 X 12 in., oil on canvas

The Red Cherry, 2013
14 X 10 in., oil on canvas

Hoop Earrings, 2013
12 X 18 in., oil on canvas

Red Bow, 2013
16 X 12 in., oil on canvas

Black Veil and Hat, 2013
22 X 16 in., oil on canvas

Red Lips, 2013
8 X 9 in., oil on canvas

String of Pearls, 2013
48 X 36 in., oil on canvas

Cone with Sprinkles, 2013
20 X 20 in., oil on canvas

Princess, 2013
18 X 18 in., oil on canvas

White Feathers, 2013
40 X 30 in., oil on canvas

Woman in Flowers, 2013
46 X 40 in., oil on canvas

The Violet Dress, 2013
42 X 34 in., oil on canvas

Black Fur Cape, 2013
50 X 40 in., oil on canvas

Black Hood, 2013
48 X 48 in., oil on canvas

Feather Dress, 2013
14 X 8 in., oil on canvas

Covered Veil, 2013
9 X 12 in., oil on canvas

Hydrangea Garden, 2013
28 X 38 in., oil on canvas



Words of Wisdom: Vlaho Bukovac

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"First learn how to look  – the hand will do its part of the work obediently."

"Drawing is the ground of everything."

"For you, the drawing is what the pattern is to the tailor:  if the pattern is no good, all the work done later will come to nothing."

"With poor drawings, there is no form;  there is nothing but blotches."

"The drawing is the skeleton of your picture, whatever it is you paint.  If you have the bone, the flesh and the skin and the clothing will sit on it.  If you have no bones, what is going to bear all that weight?"

"You don't need a hundred colours to express yourself.  Nature didn't need so many."

"In nature, the sky is the lightest thing of all.  Even the face, if we draw it against the sky, and if it isn't directly lit by the sun, is always dark."




When he saw a scene done from a great distance with little figures in it, he would always laugh and say, "Those are just flies in milk.  When a figure on the canvas becomes as tiny as an insect in nature, then away with it!  Better it wasn't there."

"White shines against a dark background, but on white canvas it loses its whiteness."

"Better. . . is an enemy of good."

"If you are uncertain, then be economical.  The harm from prodigality is always greater than that from prudence."

"However difficult it is to start a picture, it is still more difficult to stop at the right time."

"Art does not tolerate any ready-made recipes.  It is free, and all possible makings and techniques are welcome, only if they lead to the right end."

"When you think you have achieved something, that you are swelling with pride and satisfaction, then look up, of an evening, into the sky, and the sky will tell you how big you really are."





Zidić, Igor, Vlaho Bukovac: A Cosmopolitan Croation, (Wanders Uitgevers, Zwolle, 2009).


see also:

Croatian Masters

Cabinet of Curiosities

Tino Radman



Auction Preview: Sotheby's New York American Paintings, Drawings, & Sculpture April 11, 2013

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J.C. Leyendecker - Easter - oil on canvas - 20 X 20 in.


Sotheby's first American sale of the season takes place on April 11th in New York City.  Often, these sales of American Paintings, Drawings, and Sculpture can be disappointing – the offerings are a bit eclectic, and much of it is worth passing by – but among the over 200 lots in this auction, there are a few gems.  Works by George Inness, Frank Duveneck, and J.C. Leyendecker are among the highlights.

Previews of the auction begin this Thursday, April 4th, and run through the 10th at Sotheby's Auction House at 1334 York Avenue in New York City.  The sale itself will take place in one session on April 11th at 10:00 AM. 

The entire catalog can also be viewed online

Preview Schedule

Thursday April 4  10:00 AM - 5:00 PM
Friday April 5  10:00 AM - 5:00 PM
Saturday April 6  10:00 AM - 5:00 PM
Sunday April 7  1:00 PM - 5:00 PM
Monday April 8  10:00 AM - 5:00 PM
Tuesday April 9  10:00 AM - 5:00 PM
Wednesday April 4  10:00 AM - 5:00 PM



J.C. Leyendecker - Drummer: Spirit of '76 - oil on canvas - 27½ X 20¼ in.

J.C. Leyendecker - George Washington - oil on canvas - 28½ X 21½ in.

N.C. Wyeth - Waite Seized Him and Swung Him on High Amid a Volley of Terrified Oaths and then dashed
Him Down and Away (Barroom Brawl)
 - oil on canvas - 22 X 34 in.

Frederick John Mulhaupt - Atlantis Wharf, Gloucester, Massachusetts - oil on board - 8 X 10 in.

Frederick John Mulhaupt - Gloucester - oil on board - 8 X 10 in.

Anthony Thieme -  Fishermen and Seagulls in the Sunlight - oil on canvas - 30½ X 36 in.

Paul Dougherty - Summer Day, Coast of Cornwall - oil on canvas - 25½ X 36 in.

John Marshall Gamble - Wild Heliotrope - oil on canvas - 25 X 30 in.

Richard Schmid -  Nude Washing Her Hair -
pastel and charcoal on paper - 29½ X 21 in.

Nikolai Fechin - Portrait of Christopher Isherwood -
charcoal and black crayon heightened with white on woven paper laid down on board
17½ X 13½ in.

Julian Alden Weir -  Woman Reading - oil on canvas - 40 X 32 in.

Frank Duveneck - Portrait of a Lady (Head of a Girl) -
oil on canvas - 20 X 16 in.

Duveneck - Head of a Girl (detail)

Elihu Vedder - Young Marsyas (Marsyas Enchanting the Hares) - oil on canvas - 37¼ X 53¾ in.

Julius Leblanc Stewart - In the Artist's Studio - oil on canvas - 21½ X 29 in.

Emil Carlsen - Spring Landscape - oil on canvas - 34 X 38 in.

Walter Launt Palmer - The Forest in the Winter -
mixed media on board - 23¾ X 20 in.

George Inness - Landscape at Sundown; The Close of Day (The Veteran's Return)
oil on panel - 27 X 22 in.

Alexander Helwig Wyant - A Summer Day - oil on canvas - 26 X 40 in.

George Inness - Landscape (Evening Landscape) - oil on canvas - 22¼ X 36 in.

George Inness - Light Triumphant - oil on canvas - 11 X 18 in.

Thomas Moran - Twilight Landscape (Flight Into Egypt) - oil on canvas - 15 X 27 in.


Portrait Society of America 2013 International Portrait Competition Finalists

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The 15th Annual Art of the Portrait Conference begins in just a few short weeks, during which the William Draper Grand Prize Winner of the 2013 International Portrait Competition will be announced.  Today, the Portrait Society of America released the images of the 20 paintings vying for that prize, and now it is time for you to vote for who you think deserves the top honor.  Of course, this is only an online popular vote, and has no bearing on the eventual outcome - in fact, the popular vote here on the Underpaintings Blog has not yet coincided with the judges' choice, nor has it always matched the People's Choice Award as decided by Conference attendees.  Still, it is interesting to see how the voting differs when opened up to the larger and more diverse audience of the internet.

You can choose your favorite by voting in the poll listed in the left-hand column of this blog.

In any case, whoever wins here, or at the Conference, all of the Finalists deserve our accolades.  Best of luck to all of you, and congratulations!


–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––


(1) Leslie Adams -  Portrait of the Artist as a Young Girl
60 X 41 in., charcoal

(2) T.J. Cunningham  -  Mr. Marshall
24 X 48 in., oil

(3) Marina Dieul  -  Bacchante 3
36 in. diameter, oil

(4) Kerry Dunn  -  Toto and I
40 X 30 in., oil

(5) Glenn Harrington  -  Reverie
24 X 30 in., oil

(6) Seth Haverkamp  -  Essie's Headdress
48 X 36 in., oil

(7) Jeffrey Hein  -  Life #2
34 X 14 in., oil

(8) David Kassan  -  Letter to My Mother
49 X 32 in., oil

(9) Cheng Lian  -  Girl with Silk Headscarf
36 X 24 in., oil

(10) Serge Marshennikov  -  In the Twilight
17½ X 25½ in., oil

(11) Illya Mirochnik  -  Artem (Studio Break)
63 X 30 in., oil

(12) Greg Mortenson  -  Venice
50 X 25 in., oil

(13) Richard Christian Nelson  -  Luke at 15
36 X 48 in., oil

(14) Alicia Ponzio  -  Irving
22 X 10 X 10 in., bronze

(15) Mardie Rees  -  La Petite Fleur
11 X 9½ X 7 in., bronze

(16) Lynn Sanguedolce  -  Bruce at the Coffeehouse
40 X 30 in., oil

(17) Mary Sauer  -  Erin
40 X 30 in., oil

(18) Ardith Starostka  -  Wallflower
48 X 36 in., oil

(19) Katherine Stone  -  Glad the Birds Are Gone Away
32 X 18 in., oil

(20) Jennifer Welty  -  Will
40 X 40 in., oil


Sneak Peek: Diverse Visions of Reality at Diego Salazar Art Gallery

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Currently on view in Long Island City is Diverse Visions of Reality, an exhibit of works by 11 of today's top representational artists.  Curated by Federico Castelluccio, an Italian-born artist known for his Baroque-inspired paintings - and also for his acting portrayal of the recurring character Furio Giunta in the HBO series The Sopranos - the exhibit features two works each by fellow artists whom Castelluccio greatly admires, including Nelson Shanks, Patricia Watwood, David Brega, Humberto Aquino, Scott Nickerson, Steven Assael, Will Wilson, Mario Robinson, Katie O'Hagan, and Christopher Pugliese.  The show is being held in honor of the one-year anniversary of the opening of the Diego Salazar Art Gallery, an offshoot of Diego Salazar Frames, which specializes in antique, museum-quality frames from the 14th and 15th centuries.

Diverse Visions of Reality opened on April 4th, and will run through May 4th, 2013.  The Diego Salazar Art Gallery is located 21-25 44th Avenue in Long Island City, New York.  Viewing hours are from 11:00 AM until 6:00 PM, Monday through Friday, and from 12:00 PM to 5:00 PM Saturdays.  For more information, please visit the gallery's website.


Nelson Shanks  -  Harlequin  -  oil on canvas  -  20 X 16 in.

Nelson Shanks  -  Gramercy Studio  -  oil on canvas  -  16 X 18 in.

Patricia Watwood  -  Gemini  -  oil on canvas  -  44 X 40 in.

Patricia Watwood  -  In the Garden  -  oil on canvas  -  28 X 20 in.


David Brega  -  Fascination  -  oil on Masonite  -  36 X 28 in.

David Brega  -  Nature Boy  -  oil on Masonite  -  36 X 28 in.

Humberto Aquino  -  Aquino on Aquino:  In Transit Revisited
mixed media  -  17 X 11 in.

Humberto Aquino  -  Self-Portrait with Apollo  -  mixed media  -  16 X 20 in.

Scott Nickerson  -  Vase, Velásquez, Voltaire  -  oil on canvas  -  24 X 32 in.

Federico Castelluccio  -  Myself as Luke  -  oil on canvas  -  54 X 42 in.

Steven Assael  -  Kristen with Mask -  oil on paper  -  23 X 10½ in.

Will Wilson  -  Ted  -  oil on linen  -  14 X 13 in.

Mario Robinson  -  Houndstooth  -  watercolor  14 X 20 in.

Mario Robinson  -  Plum  -  pastel  -  16 X 15½ in.

Katie O'Hagan  -  Aine, Death Valley  -  oil on canvas  -  20 X 30 in.

Katie O'Hagan  -  Ann  -  oil on canvas  -  30 X 40 in.

Christopher Pugliese  -  Waking Consciousness  -  oil on linen  -  42 X 48 in.



Sneak Peek: The Big Gamble at Rehs Contemporary Galleries, NYC

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Anthony Waichulis  -  The Primary Gambit


Rehs Contemporary Galleries in New York City has decided to take a "big gamble."  At a time, and especially in a place, where Modern Art is still the reigning power, Rehs has decided to instead focus their energies on the resurgent genre of academic realism.  "Our ultimate goal," says the gallery, "is to celebrate the good, the talented, and the skilled through a series of exhibitions featuring established, as well as up-and-coming, contemporary artists in the Academic field."

The first exhibition in the gallery's new series features drawings and paintings from the Ani Art Academy family of artists.  Thirty-two artists from the Academy's schools have created over 40 works inspired by the theme of "The Big Gamble" for this show.  Some have chosen to interpret the idea literally, some humorously, and some quite personally, exploring the gambles and decisions which have informed their lives.

Among those in The Big Gamble are Anthony J. Waichulis (director of The Ani Art Academies, Waichulis), Timothy W. Jahn (director of the Ani Art Academies, Anguilla), Edward Dillon (director of The Ani Art Academies, Dominican Republic), Tim Reynolds (founder of the Ani Art Academies project), Erin Anderson, 
Erika Baez,  Jason Brady,  Helen Crispino, Jay Davenport
, Rodney Davis, Joe Dillon,  Brandon D. Drake, Emily Garlick,  Lynne Garlick, Chelsea Herron, Emma Hirst, Sharon Hourigan, Alicia Lang,  Roger C. Long, Deborah Lloyd
, Ricardo Martinez, Elizardo Mojica, 
Kevin Moore, Brian O'Neill, Max Reynolds
, Romaro Richardson, Omar Rodriguez, Terese Rogers, Kate Sammons, Leah Waichulis
, Stephen Yavorski, and Kierstin Young.

The Big Gamble runs from today, April 6th, through May 3rd at Rehs Contemporary Galleries, Inc., 5 East 57th Street, New York, NY 10022. For more information please visit the gallery's website www.rehs.com. And for more information on the Ani Art Academies please visit www.aniwaichulis.com and www.aniartacademies.org.

"Contemporary works led the art market in 2012 and many place a great emphasis on shock value. We (at Rehs Galleries) want to know what happened to the love, support, and celebration of technical skills and talent. When did the ultimate goal of perfecting the human body on paper become less important than spilled paint and scribbles on canvas? In life, you have little choice as to the cards you are dealt and it is up to you to know how to play them right. We believe that the artists from The Ani Art Academies were dealt royal flushes."


Brandon Drake  -  Dangerous Speculation

Jay Davenport  -  Poker Face

Erin Anderson  -  Emanation

Alicia Lang  -  Deliverance

Emily Garlick  -  Genesis of Fortune

Deborah Lloyd  -  Everything for Love

Jason Brady  -  The Burden

Emma Hirst  -  High Steaks

Brian O'Neill  -  The Proposal

Timothy W. Jahn  -  Doc's Take

Brandon Drake  -  What Lays Before Us

Alicia Lang  -  The Calling

Jason Brady  -  Just a Game

Stephen Yavorski  -  I Give You My Word




Sneak Peek: "Vincent Giarrano: Truth and Beauty" and "Linden Frederick: Untold Stories" at Haynes Galleries, Nashville

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Vincent Giarrano  -  Waking  -  oil on linen  -  18 X 24 in.


Opening next week at Haynes Galleries in Nashville, Tennessee are side-by-side shows by two seasoned masters of representational art, Vincent Giarrano and Linden Frederick.

In the West Gallery will be Truth and Beauty, an exhibit of Vincent Giarrano's figurative paintings in which the artist has taken moments from everyday life, and has made of them something beautiful and introspective.

“What inspires me most is the energy and beauty of my experiences,” says Giarrano. “I see painting as a way to appreciate what is all around us, stuff we take for granted or don't notice. My favorite things to paint are scenes of life in New York City. I love the architecture and people of the city. It's endlessly inspiring. I enjoy painting scenes on the streets but also interiors, which are often about people, alone and in their own thoughts. For me, that presents someone as more truly himself or herself.”

Nearby in the East Gallery is Untold Stories, a series of moody and mysterious landscapes by Linden Frederick, "one of the foremost painters of America's byways, highways, and backyards." (Carl Little, Maine Home + Design, April 2008).

Frederick's paintings are intentionally unpeopled so as to allow the viewer to feel as though they are participating in the picture, rather than causing them to try and identify with a figure within the scene.  This encouraged one reviewer to write of the artist, “His vision is just creepy enough to add the right amount of narrative tension. Nothing is missing from the scene per se, but there is just enough electricity to hold you in a state of liminal excitement. Rather than a movie still, it's more like a scene from a gripping novel.”

Vincent Giarrano: Truth and Beauty and Linden Frederick: Untold Stories open April 12th in Nashville with a reception from 6:00 to 8:00 PM.  The shows will remain on view until May 18th.  Afterwards, the two shows will travel to Haynes Galleries' other location in Thomaston, Maine, where the exhibition will run from June 28th through July 30th.

Haynes Galleries, Tennessee, is located in Roundabout Plaza, a landmark building at the gateway of Music Row between 16th and 17th Avenues. Its hours are Tuesday through Saturday, 11 a.m. to 4 p.m., and by appointment. For more information, email garyhaynes@haynesgalleries.com, call (615) 430-8147 or (615) 312-7000, or visit www.haynesgalleries.com.


Rising  -  oil on canvas  -  24 X 30 in.

Back From the Beach  -  oil on linen  -  20 X 16 in.

Checking Out the Menu  -  oil on linen  -  24 X 18 in.

Doorway  -  oil on linen  -  20 X 16 in.

Julia Reading  -  oil on linen  -  20 X 16 in.

Ms. Che Designing in NYC  -  oil on linen  -  25 X 19 in.

Gazebo  -  oil on linen  -  20 X 30 in.


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Linden Frederick  -  VFW (2009)  -  oil on linen  -  40 X 40 in.

Dairy Dream (2008)  -  oil on panel  -  12¼ X 12¼ in.

Fortunes (2007)  -  oil on panel  -  12¼ X 12¼ in.

Ham Radio (2007)  -  oil on panel  -  12¼ X 12¼ in.

Seasonal (2010)  -  oil on linen  -  40 X 40 in.

Watcher (2006)  -  oil on linen  -  45 X 45 in.

Mohawk (2004)  -  oil on linen  -  60 X 60 in.

The World's Largest Pheasant (2008)  -  oil on panel  -  12¼ X 12¼ in.





Auction Preview: Christie's New York 19th Century European Art

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Sir Alfred James Munnings
The Whip (c. 1922)
oil on panel
30¼ X 30¼ in.


On April 29th, Christie's Auction House in New York City will be holding its spring sale of 19th Century European Art, and although the number of offerings is modest with only 76 lots, there are several excellent works up for bid.  The high estimate piece in the sale is William Adolphe Bouguereau's Les deux soeurs which is expected to fetch between 1.8 and 2.8 million dollars (USD).  A second painting by Bouguereau, the recently rediscovered Rêverie sur le seuil, is also expected to do well with an auction estimate of between 1 and 1.5 million dollars.  Other artists in the auction include Sir Alfred James Munnings, Léon-Auguste Lhermitte, Jean-Baptiste-Camille Corot, Gustave Courbet, Jean-François Millet, Joaquín Sorolla, Henri Fantin-Latour, Alfred Stevens, Raimundo de Madrazo, Sir William Russell Flint, Peder Mørk Mønsted, and Anders Zorn, who has two fine portraits available for sale.

Christie's Auction House is located at 20 Rockefeller Plaza in Manhattan.  The auction of 19th Century European Art will take place at 2:00 PM on April 29th, with open viewing of the lots beginning on April 26th.  All of the lots are also available for viewing online at the Christie's website.

Viewing Times

April 26  /  10 AM - 5 PM
April 27  /  10 AM - 5 PM
April 28  /  1 PM - 5 PM
April 29  /  10 AM - 2 PM


Anders Zorn
Portrait of Adolphus Busch (1897)
oil on canvas
51 X 37½ in.

Anders Zorn
Portrait of Adolphus Busch (detail)

Anders Zorn
Portrait of Lilly Eberhard Anheuser (1897)
oil on canvas
51 X 37½ in.

Raimundo de Madrazo y Garreta
Portrait of a Lady (1888)
oil on panel
45¾ X 31½ in.

John da Costa
Blue Feathers
oil on canvas
50¼ X 40 in.

Alexej Alexejewitsch Harlamoff
Portrait of a Georgian Princess
oil on canvas
22 X 18 in.

Léon-Augustin Lhermitte
The Little Goose Girl of Mézy (1892)
oil on canvas
63 X 33½ in.

Emile Auguste Hublin
A Girl with Her Doll (1869)
oil on canvas
23½ X 18¼ in.

William-Adolphe Bouguereau
Rêverie sur le seuil (1893)
oil on canvas
37¾ X 23¾ in.

William-Adolphe Bouguereau
Les deux soeurs (1877)
oil on canvas
53½ X 31¼ in.

Sir William Russell Flint
The Painted Bridge
oil on canvas
59¼ X 39⅜ in.

Alfred Stevens
L'Étude du rôle (1888)
oil on canvas
37 X 23¼ in.

Emilio Sanchez-Perrier
A Summer Day on the River
oil on panel
12½ X 16¼ in.

Peder Mørk Mønsted
River Landscape (1903)
oil on canvas
21 X 33¼ in.

Montague Dawson
The 'Ann McKim' Leaving Foochow for Home
oil on canvas
24 X 36 in.


Auction Preview: Sotheby's NYC 19th Century European Art

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William Adolphe Bouguereau
Moissonneuse (1868)
oil on canvas
41 7/8 X 33 1/2 in.

For those living in the New York Metropolitan area, there is an upcoming opportunity to see a fantastic grouping of representational paintings and sculptures when Sotheby's previews its auction of 19th Century European Art early next month.  Amongst the 113 lots in the sale are works by Jean-Léon Gérôme, J.G. Vibert, Lawrence Alma-Tadema, John William Godward, Joaquín Sorolla, Julien Dupré, and Alfred Stevens.  But of particular interest in this sale is William Adolphe Bouguereau, who is represented by no fewer than half-a-dozen paintings including a rare portrait, a painted sketch, and the picture Moissonneuse (a personal favorite of mine).  

Prior to the actual sale on May 9th, the paintings will be available for public viewing beginning on the 3rd.  The dates and times are listed below.

Fri, May 3  |  10:00 AM - 5:00 PM
Sat, May 4  |  10:00 AM - 5:00 PM
Sun, May 5  |     1:00 PM - 5:00 PM
Mon, May 6  |   10:00 AM - 5:00 PM
Tue, May 7  |  10:00 AM - 5:00 PM
Wed, May 8  |   10:00 AM - 1:00 PM

Sotheby's New York City showroom is located at 1334 York Avenue.  If unable to see the lots in the 19th Century European Art auction in person, a print catalog can be ordered directly from Sotheby's. Additionally, the catalog can be viewed online, or via the Sotheby's interactive iPad app, available for free at the App Store.



William Adolphe Bouguereau
Portrait of Marie-Célina Brieu (1846)
oil on canvas
55 X 41 3/8 in. (painted within an oval)

William Adolphe Bouguereau
Le sommeil
oil on canvas
24 1/4 X 20 1/4 in.

William Adolphe Bouguereau
Italienne au tambourin (1869)
oil o canvas
25 1/4 X 21 3/8 in.

William Adolphe Bouguereau
L'éte
oil on canvas
25 3/4 X 18 7/8 in.

William Adolphe Bouguereau
Au bord de la mer (1903)
oil on canvas
37 3/4 X 24 1/4 in.

Eugen von Blaas
A Young Fishwife (1895)
oil on panel
33 1/2 X 17 3/4 in.

Emile-August Hublin
A Young Girl Holding a Basket of Eggs (1874)
oil on canvas
46 1/2 X 28 in.

Julien Dupré
The Reapers (1893)
oil on canvas laid down on board
19 1/2 X 28 1/2 in.

Jehan Georges Vibert
On the Ramparts (1867)
oil on panel
17 1/4 X 28 1/2 in.

Jehan Georges Vibert
The Committee on Moral Books
oil on canvas
17 3/4 X 25 1/2 in.

James-Jaques-Joseph Tissot
Portrait of Clotilde Briatte, Comtesse Pillet-Will
pastel on paper laid down on canvas
35 3/4 X 63 1/8 in.

Giovanni Boldini
Portrait of Diaz Albertini (1909)
oil on canvas
41 1/8 X 38 1/2 in.

Walter Bondy
Opening the Hat Box
oil on canvas
70 7/8 X 39 1/4 in.

Alfred Stevens
L'attente (Avant le bal)
oil on panel
29 1/2 X 20 3/4 in.

Alfred Stevens
Un soir à la mer
oil on panel
25 1/2 X 17 3/4 in.

Alfred Stevens
La femme et l'Amour (L'Amour qui vient) (1885)
oil on canvas
44 1/4 X 30 1/4 in.

Robert Fowler
The Butterfly
oil on canvas
70 X 38 in.

Sir Lawrence Alma-Tadema
A Greek Woman (1869)
oil on panel
23 X 18 in.

John William Godward
A Signal (1918)
oil on canvas
31 3/4 X 24 in.

Isidore Pils
Study for Mercury, Palais Garnier, Paris
oil on canvas
24 1/8 X 28 1/2 in.

Jean-Léon Gérôme
The Colossus of Memnon (1857)
oil on canvas
25 1/2 X 32 in.

Jean-Léon Gérôme
Le tigre et le gardien
oil on canvas
18 1/4 X 15 1/8 in.

Jean-Léon Gérôme
Une journée chaude au caire (Devant la mosquée)
oil on canvas
25 3/4 X 18  in.

Rudolf Ernst
La favorite
oil on panel
36 1/4 X 28 3/8 in.

Edwin Lord Weeks
Horses at the Ford - Persia
oil on canvas
35 3/8 X 61 7/8 in.

Frederick Arthur Bridgman
An Egyptian Procession (1902)
oil on canvas
33 X 63 in.

Edward John Poynter
Feeding the Sacred Ibis in the Halls of Karnac (1871)
oil on canvas
38 X 29 3/4 in.

Jean-Léon Gérôme
Corinthe
gilt-bronze with semi-precious stones
height: 29 in.

Antoine-Louis Barye
L'ordre punissant les pervers and la force protégeant le travail
bronze
height:  19 1/2 in.

Montague Dawson
The Beautiful Forest Queen
oil on canvas
36 X 24 in.

Alexander Max Koester
Dem Ufer Zu (To the Shore)
oil on canvas
31 X 51 3/8 in.

Théodore Rousseau
Landscape with Trees and a Quiet Pond
oil on panel
15 X 22 in.






Auction Preview: Bonhams, Los Angeles California & Western Paintings & Sculpture

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Granville Redmond  -  Spring in Southern California


I enjoy following auctions, not because I am searching for new pictures to place above the couch - it is nice to dream though - but because I like seeing the little-known treasures which come to light during that all-too-brief period before the gavel bangs, and the work goes back into hiding on a new person's wall (above their much nicer couch).  Sometimes, my bated anticipation of annual auctions only leads to great disappointment;  the sale comes up like clockwork, but the offerings just do not.  It is almost a shame to hold the auction until more works present themselves in order to really fill out the available lots.

But occasionally a sale comes up which is a shame to hold, but for an entirely different reason.  The artworks are so good as a group, that they should not be split up.  

Such is the case with Bonham's upcoming auction of California & Western Paintings & Sculpture, being held later this month.  “This is the strongest selection of top California and Western paintings that we have organized in years," says Scot Levitt, Vice President and Fine Arts Department Director at Bonhams.  "Many of these paintings are the best works we have offered by top artists such as Rose, Redmond, Fortune, Reiffel and Berninghaus. The market has rebounded considerably and our prediction is that this should be a stellar sale with record results.”

I wish I were able to see the previews of this auction in person. If Bonham's were just to put a lock on the door, and call the array a museum, it would be a good museum, and it would probably draw a lot of visitors, including, at some point, me.  And as it is unlikely that a single buyer will take possession of the entire group with public display in mind, nor that the collection will spend time touring the country before the items in it go their separate ways, my only consolation is that the catalog is now online.

Bonham's California & Western Paintings & Sculpture will begin previews later this week in San Francisco before moving to Los Angeles the week after.  The auction itself will be held in Los Angeles on April 30th at 6:00 PM PDT, and will be simulcast in Bonham's San Francisco facility.


Viewing Times

San Francisco
April 19, 2013 - April 21, 2013  /  12:00 PM - 5:00 PM daily

Los Angeles
April 26, 2013 - April 28, 2013  /  12:00 PM - 5:00 PM daily



Bonham's is located at 220 San Bruno Avenue in San Francisco, and at 7601 W. Sunset Boulevard in Los Angeles.  For more information, please visit Bonham's website.


William Franklin Jackson  -  A Landscape with Poppies and Lupine

Granville Redmond  -  Poppies on a Hillside

Maurice Braun  -  California Splendor

Benjamin Chambers Brown  -  Wildflowers on Rolling Hills

Granville Redmond  -  Valley Splendor

Granville Redmond  -  Poppy Field Near Millbrae

Percy Gray  -  Green Valley

Edgar Payne  -  Oaks with Blue Hills Beyond

Alexis Matthew Podchernikoff  -  San Ynez Lake

Edgar Payne  -  Mountains at Sunset, Santa Barbara

Edgar Payne  -  Altadena Dawn

John Marshall Gamble  -  Morning Mists, Wild Lilac

Howard Russell Butler  -  Early Moonrise with Mountains in the Distance

Franz Arthur Bischoff  -  Waves on a Rocky Coast

Marion Kavanagh Wachtel  -  Yellow Sycamores

Elmer Wachtel  -  Topanga

Jack Wilkinson Smith  -  Mount Ritter, High Sierras

Edgar Payne  -  Rae Lake, Sierra Nevada

Edgar Payne  -  A Road to Alpine Homes

Paul A. Grimm  -  Desert Slopes

Paul A. Grimm  -  The Desert in All It's Glory

Dedrick B. Stuber  -  Carmel Bay

William Frederick Ritschel  -  Rockbound Coast

Alan Wolton  -  Rocky Coastal Scene

Thaddeus Welch  -  Southeast Farallon Island and Tower Bay

Edgar Payne  -  Sunlight on Brittany Boats

Edgar Payne  -  Boats off Concarneau

Frank William Cuprien  -  The Golden Hour

Guy Rose  -  Moonlight - Arch Beach, Laguna

James Swinnerton  -  Walpi, Arizona

Edgar Payne  -  Indians on Horseback Riding Through Canyon de Chelly

Joseph Henry Sharp  -  The Old Chief's Query

Oscar Edmund Berninghaus  -  Tracks on the Trail

Charles Schreyvogel  -  The Scout

Michael Coleman  -  Blackfeet Camp

Robert Elmer Lougheed  -  IPacking in Truchas Country

Duncan Gleason  -  Aloha

Anna Althea Hills  -  Wind Blown, Laguna Beach Near Arch Beach

Joseph Kleitsch  -  A View Across the Lake, Saugatuck, Michigan

Wilson Henry Irvine  -  Old St. Ives

Guy Rose  -  At Duck Cove

E. Charlton Fortune  -  The Señora's Garden

Theodore Wores  -  A Hillside in Saratoga;  A Saratoga Road

Granville Redmond  -  Study for Tiburon, California

Elmer Wachtel  -  High Sierra Lake

Arthur Grover Rider  -  Coming Storm







Sneak Peek: Maxwell Alexander Gallery, CA Glenn Dean: Landscapes

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Along the Bay  24 X 30 in.


Now on view at the Maxwell Alexander Gallery in California is Landscapes of the American West, a showcase of paintings by artist Glenn Dean (b. 1976).  Dean, a native Californian, is primarily a self-taught painter who, at an early age, used his emulation of the California Impressionists to inform and guide his personal development as an artist.   His paintings, which he creates on location throughout the southwest (his larger paintings are completed in the studio from sketches made en plein air), have already earned this young man much recognition, including both the Grand Prize and the Artists Choice awards at the inaugural Tucson/Sonoran Desert Museum Plein Air Invitational.  For Dean, painting the landscape is spiritual;  he believes Nature is a divine gift, and it should be the goal of every landscape painter to use their talent to honor The Creator through their work.

Glenn Dean:  Landscapes of the American West features 37 works (34 paintings, and 3 charcoal drawings), displayed in custom-made Arts & Crafts style frames.  The show has been well-received, and sales have been strong.  It will remain on view until May 4th.

The Maxwell Alexander Gallery is located at 6144 Washington Boulevard, in Culver City, California.  For more information on the show, and to see all of the paintings in the show, please visit the gallery's website, or contact the sales manager, Beau Alexander, at 310.839.9242.



Coastal Storm  9 X 12 in.

Seaward  9 X 12 in.

Afternoon Gathering  9 X 12 in.

Evening Patterns  24 X 30 in.

Moonrise  9 X 12 in.

Summer Downpour  9 X 12 in.

Sun on the Sugar Knoll  9 X 12 in.

Turbulent Waters  9 X 12 in.

Churning  9 X 12 in.

Hilltop Ambassadors  9 X 12 in.

Sierra Storm  9 X 12 in.

Twilight Along the Trail  9 X 12 in.

Along the Bluffs  9 X 12 in.

Storm Surf  9 X 12 in.

Hills of Fillmore  9 X 12 in.

Illuminated  9 X 12 in.

Peaceful Tide  9 X 12 in.






Sneak Peek: Mountainsong Galleries, CA Powered by Nature: Seven Women

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Mountainsong Galleries, located in Caramel-by-the-Sea, California, is currently exhibiting Powered by Nature, a show dedicated to the landscape paintings of seven of the nation's top female artists.  The show features nearly three dozen works by artists Cindy Baron, Kim Casebeer, Christine Debrosky, Debra Groesser, Becky Joy, Shanna Kunz, and Lori McNee.  It will remain on view at the gallery through May 19th, and can also be viewed online at the Mountainsong website.

Mountainsong Galleries is located on the famous Ocean Avenue in Carmel-by-the-Sea, California.  They have previously hosted the American Impressionist Society’s 12th Annual Juried Exhibition and currently represent 50 of the best living American Impressionist artists, including Debra Joy Groesser, President of the American Impressionist Society, and Neil Patterson, President of the Oil Painters of America. Additionally, Mountainsong represents one of the most famous glass artists in the world, Randy Strong, whose works are in The Louvre, and in many other museums throughout the world.


For more information, please contact the gallery.


That Time of Day -  Shanna Kunz


"Shanna Kunz is a contemporary landscape painter living in Ogden Utah.  She has been featured in several major magazine articles and has participated in many prestigious invitational and juried exhibitions.  When Kunz feels a particular sense of connection to a location, she will often create a series based on that locale, using a variety of keys or themes.  In this way, Kunz is able to more deeply explore the complexity, subtlety, and balance of the natural world."


Inland  -  Shanna Kunz

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Rocky Mountain Water Lilies -  Lori McNee


"Idaho painter Lori McNee says she 'would like to paint like a bird sings.'   Not coincidentally, her still life paintings almost always include birds, and are often metaphorical, echoing the delicate balance between nature and man.

Besides painting, Lori is a professional blogger and public speaker. On her popular FineArtTips.com blog, Lori shares art tips, social media tips, and business advice from respected professionals in the art and blogging industries. Because of this, Lori has been named to list of 'Top 10 Up and Coming Women Bloggers,' and currently ranks as one of the 'Most Influential Artists' on Twitter , and also among 'The Top 100 Most Powerful Women on Twitter.' Lori has also been featured in many popular blogs including The Huffington Post, Art Heroes Blog, BlogTalkFM, Fine Art Views, Barney Davey Blog, and Money Dummy Blog."


Summer Oasis  -  Lori McNee

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Garrapata  -  Becky Joy


"Originally from Oregon, Becky Joy moved to Arizona in 1993, and began attending classes and workshops at the famous Scottsdale Artist's School.  While there, she developed a love for hiking throughout the West, and for painting, en plein air, the scenes she encountered on her walking trips. True to her desire to paint from life, Becky continues to paint out-of-doors, but can, on occasion still be found in her studio, creating larger interpretations of her plein air studies, or painting luscious and colorful impressions of finely-composed, studio still-lifes.

Becky has received many awards and accolades in her career.  In 1997, she was juried into Women Artists of the West, and in the summer of 1998, she was included in the Painters of the American Desert show at the Phippen Museum in Prescott, Arizona. She has been published in Art of the American West, Southwest Art Magazine, and in the Phoenix Home and Gardens Magazine. In addition to her paintings appearing in many private collections, Becky's works form parts of the corporate collections of the Kierland Resort and Spa, American Equity Insurance, Banner Hospital, and Pioneer Home Bank."


Tranquil Walk  -  Becky Joy

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Siracusa Citrus  -  Christine Debrosky


"Christine Debrosky is an American Impressionist pastelist living in Arizona, who credits  'the tango of light and color'  as her artistic muse.  It was during a workshop with living Master, Albert Handell, that she was first introduced to the rich jewel tones of pastel, and her own work since then in that medium has garnered for her rainbows of ribbons - in shows from coast to coast in the United States, as well as in shows in Italy, France, and Russia. Debrosky's career has steadily progressed over the years, and now, working in both pastel and in oil, she regularly shows with such prestigious groups as the Oil Painters of America, the Pastel Society of America, and the American Impressionist Society. Additionally, Christine has earned signature status with American Women Artists and the Pastel Society of America, and is a Distinguished Pastelist in the Pastel Society of the West Coast. She has been named to Who's Who in American Art, and Who's Who of American Women. Debrosky's work has also been featured in magazine articles in American Artist, The Pastel Journal, and in the French publication Pratique des Artes, as well as on both a television and a movie set."


Turning to Tangerine  -  Christine Debrosky

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Last Hours Before Sunset  -  Debra Groesser


"Award-winning artist, Debra Joy Groesser, lives in Nebraska, and is President of the prestigious American Impressionist Society. She received her Bachelor of Fine Art degree in 1978 from Bellevue College, Bellevue, Nebraska, and has since then studied with such renowned artists as Kevin Macpherson, Scott Christensen, Kim English, John Cosby, and Kenn Backhaus. 

Debra is passionate about plein air painting in oils, and being outdoors in God’s creation, whether in her perennial garden or in the mountains or by the sea, has provided her with endless inspiration for her work. She is also fascinated by the play of light and shadows in her subjects, and constantly strives to capture the mood, the emotion, the atmosphere, and the beautiful color of the world around her. 'My greatest satisfaction in being an artist comes from successfully connecting with people on an emotional level through my artwork. My challenge is to render my subjects in such a way that the viewer will feel the emotions I felt: what attracted me to the subject in the first place.'”


Salt and Light  -  Debra Groesser

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In the Gloaming  -  Kim Casebeer


"Kim Casebeer lives in Kansas where she was born and raised on a family farm. As part of a fourth generation farm family, she has been connected to the land for a long time. She primarily draws her inspiration from the simplicity of the Flint Hills, an area of wide open ranch land in her home state. 'It's a simple landscape,' says Casebeer. 'It's not grandiose. You have to spend some time and let it speak to you." Kim also feels at home painting in Colorado, New Mexico, Arizona, Wyoming, and Texas. 'I think the simplicity of the Kansas landscape has helped me find the essence of other places. I'm able to focus on what's important in a composition. It's as much as about what's not in the painting as what is.'"


Under Western Skies  -  Kim Casebeer

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Layers  -  Cindy Baron


"Like many artists, Cindy Baron's interest in art developed in early childhood. An initial love of drawing naturally led her to try watercolors, and eventually oils, and as she worked, she discovered that one medium enabled her to grow in the other, and vice versa. Having developed her skills in both mediums, she has never seen it necessary to choose one upon which to concentrate, while excluding the other.

One of the most frequently asked questions Baron receives is, 'How do you choose which medium you want to use?' Cindy's answer is, 'Nature chooses it for me. I'm blessed to see landscapes in two mediums. When on location, I can feel the movement a watercolor can give with its easy flowing and entwining colors, like a foggy morning, or a crashing wave. Yet some scenes call for the intensity, depth and lust that only oils can give. Some say you need to concentrate on just one medium, but I believe if you are passionate and daring as you create, and see the world through many eyes, your work will naturally evolve." 

Cindy is a signature member of the Oil Painters of America and has won many awards for her work.  As an instructor, she is highly sought-after.  She lives in Rhode Island."


Tucked In  -  Cindy Baron



2013 Portrait Society of America's "The Art of the Portrait" Conference

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The 15th Annual Art of the Portrait Conference opened this evening in Atlanta, Georgia, and there is still time for you to vote for the artwork which you think best deserving of the William Draper Grand Prize. Of course, this is only an online popular vote, and has no bearing on the eventual outcome - in fact, the popular vote here on the Underpaintings Blog has not yet coincided with the judges' choice, nor has it always matched the People's Choice Award as decided by Conference attendees.  Still, it is interesting to see how the voting differs when opened up to the larger and more diverse audience of the internet.

You can choose your favorite by voting in the poll listed in the left-hand column of this blog.

In any case, whoever wins here, or at the Conference, all of the Finalists deserve our accolades.  Best of luck to all of you, and congratulations!


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(1) Leslie Adams -  Portrait of the Artist as a Young Girl
60 X 41 in., charcoal

(2) T.J. Cunningham  -  Mr. Marshall
24 X 48 in., oil

(3) Marina Dieul  -  Bacchante 3
36 in. diameter, oil

(4) Kerry Dunn  -  Toto and I
40 X 30 in., oil

(5) Glenn Harrington  -  Reverie
24 X 30 in., oil

(6) Seth Haverkamp  -  Essie's Headdress
48 X 36 in., oil

(7) Jeffrey Hein  -  Life #2
34 X 14 in., oil

(8) David Kassan  -  Letter to My Mother
49 X 32 in., oil

(9) Cheng Lian  -  Girl with Silk Headscarf
36 X 24 in., oil

(10) Serge Marshennikov  -  In the Twilight
17½ X 25½ in., oil

(11) Illya Mirochnik  -  Artem (Studio Break)
63 X 30 in., oil

(12) Greg Mortenson  -  Venice
50 X 25 in., oil

(13) Richard Christian Nelson  -  Luke at 15
36 X 48 in., oil

(14) Alicia Ponzio  -  Irving
22 X 10 X 10 in., bronze

(15) Mardie Rees  -  La Petite Fleur
11 X 9½ X 7 in., bronze

(16) Lynn Sanguedolce  -  Bruce at the Coffeehouse
40 X 30 in., oil

(17) Mary Sauer  -  Erin
40 X 30 in., oil

(18) Ardith Starostka  -  Wallflower
48 X 36 in., oil

(19) Katherine Stone  -  Glad the Birds Are Gone Away
32 X 18 in., oil

(20) Jennifer Welty  -  Will
40 X 40 in., oil

Art of the Portrait: Opening Night – The Face-Off

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Lynn Sanguedolce


The 15th Annual Art of the Portrait Conference opened its doors in Georgia at 4:00 PM, Thursday afternoon, but attendees began to line up for their registration packets well before that.  It's not that the registrants needed to worry about a delay in getting their tickets, badges, and schedules if they were to have shown up later;  in fact, the Portrait Society has, in all its experience, made the process of signing-in a quick and painless process.  No, it's the the anticipation - the excitement over the weekend to come - which drew the crowd early.

What better way then to serve that excitement than by offering attendees, not just one up-and-close painting demonstration by a top representational artist, but a ballroom full of simultaneous portrait  demos by more than a dozen of today's most-skilled painters?

The Face-Off, in which 15 faculty members show their alla-prima painting skills at once, is one of the favorite regular events held at the conference.  Working three artists to a model, the demonstrators are given two-and-a-half hours (including breaks) to capture the likeness of their professional sitters, while the audience watches from just a few feet away.  Viewers can pick a favorite artist to watch, or circle the room, taking-in everyone's progress over the course of the night.  

This year's participants were Michelle Dunaway, Jeffrey Hein, Quang Ho, David Kassan, Ann Manry Kenyon, Bart Lindstrom, Sherrie McGraw, Thomas Nash, Evert Ploeg, Lynn Sanguedolce, William Schneider, Daniel Sprick, Joseph Todorovitch, Aaron Westerberg, and Dawn Whitelaw.

After the evening ends, the Face-Off studies are put on display, and conference-goers are tasked with challenge of choosing one artist, based on their painting, to do a two-hour demonstration on the main stage on Saturday morning.  When the voting ended at 4:00 PM on Friday, artist Jeffrey Hein was the artist chosen - but it was we the attendees who were the winners.

Join Hein on Saturday at 10:00 AM for his demonstration during which he will paint fellow-artist Katherine Stone.  Both Hein and Stone are finalists in this year's Portrait Competition.


David Kassan

(l-r) Evert Ploeg, Ann Manry Kenyon, and Daniel Sprick

Daniel Sprick

(l-r) Dawn Whitelaw, Thomas Nash, and William Schneider

William Schneider

Joseph Todorovitch (foreground) and Bart Lindstrom

(l-r) Bart Lindstrom and Joseph Todorovitch

Quang Ho

Aaron Westerberg

Jeffrey Hein

Evert Ploeg

Michelle Dunaway

Sherrie McGraw

Sherrie McGraw




2013 Art of the Portrait: The Face-Off Paintings

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Jeff Hein

David Kassan

Lynn Sanguedolce

Aaron Westerberg

Quang Ho

Michelle Dunaway

Joseph Todorovitch

Bart Lindstrom

Sherrie McGraw

Daniel Sprick

Ann Manry Kenyon

Evert Ploeg

William Schneider

Thomas Nash

Dawn Whitelaw


2013 Art of the Portrait: The William F. Draper Grand Prize Winner

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Portrait of the Artist as a Young Girl
60 X 41 in.
charcoal

Congratulations to Leslie Adams for winning the Grand Prize at this year's Art of the Portrait International Competition!




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